Roaring out of the Ozarks with a bottle in one hand and a bible in the other, Ha Ha Tonka mix sanctified four-part harmonies and blistering rock.
Get the Gore’s innocent and insolent sound finds both the gum-snapping punk in the Ronettes and the sweet and dirty romance in the Stooges. It is brash, cute and killer.
A modern-day troubadour, Earle blends genres seamlessly, framing his songs in warm musical settings and creating tunes that could easily be mistaken for classics.
Melds the qualities of a short story with the lyrical acuity of excellent songs, blowing a fresh breeze across the musical gardens and dive bars of Nashville.
With this 7" Rex and the Boys put their brand on two classic country giants: Freddy Fender and Poison. Yes, Poison.
Soul lives below the belt, and whether you’re looking to be grinding it slow or shaking it up good, the Cobras bring it tough and tender, savage and sweet. Tied and true.
Live style urban hillbilly rave-ups, replete with soaring vocals, rollicking guitars, and a joyously grim sense of humor. Includes the demon banjo stylings of "Baby Alive" (non-CD recording), plus 2 non-CD cuts "Nevermore" and "Alone."
Biram's blend of punk, delta blues, and hillbilly throws down the boogie gauntlet and sends a feral bolt of brimstone south of your studded leather belt.
This is gospel for the 13th circle, and he's singing it like his feet are already halfway in the fires.
It's raw, it's muddy, it's chaotic, it's ultra-primal blues and rock and roll with a country heart beating underneath.
His sermon? "Remember: Whiskey AND holy water'll both burn you if you ain't careful."
Debut CD whips up a witches brew of hillbilly hellfire and blues brimstone full of the locomotive rhythms of traditional bluegrass, the intensity of Mississippi roadhouse blues, and the full-on sonic assault of Slayer.
A-Side is a thundering bluegrass stampede (it's also an XTC cover), and the B-Side is a smooth blending of all things good and pure in music set against an off-kilter lyrical sensibility.