Honestly laying down his bare soul at the people’s feet once again in a way that very few can, this record dips and sways, as always, in true Biram fashion, with tales of hard, homesick traveling, lost love, over indulgence, spiritual rejoice, and, of course, some tributes to some of his favorite music pioneers.
The Lee County, Iowa-based singer-songwriter is a calming voice amongst chaos, the friend you call when you need advice, and these nine songs are him working through a number of knotty spiritual equations posed by the cosmos.
A rough-and-ready seven-song chronicle of a band putting down their roots, but foreshadowing realized greatness. Even in this early stage of her career, Shook's signature brand of country music—wry and irreverent, high and lonesome—sent up the smoke signals for a much-needed alternative to the feigned-authenticity of middle-of-the-road "Americana" singer-songwriters.
ROOKIE’s modern take on timeless American rock ‘n’ roll pulls from all corners of the sonic map; it’s familiar but fresh, lived-in but blown-out. It’s the ‘70s/’80s pop-rock sheen of recent tour-mates Cheap Trick; 3-minute precision songwriting of Big Star; loose Neil Young Americana; and the hazey, psych-flavored boogie of The Allman Brothers and Thin Lizzy.
On RESIST!, Chicago's original punk cowboys, The Waco Brothers, play protest songs about the folks getting shoved down, and songs about the system that’s doing the shoving. The band’s 25-year songbook remains alarmingly relevant. They can be political, they can be personal, and sometimes there is no difference. Their shout-along manifestos and strident tomfoolery make for a potent elixir in times when reason and humor are at odds.
"This record is called 16. Though it's not a tribute to Street Legal, that Bob Dylan record is the source of the songs here. Back in the 1970s, 12-inch LPs were the common currency. Mostly "rock"—white guys with claims on Art & Meaning—but you could often follow the trails outward to country, gospel, R&B, and so on."
A career-spanning collection of the finest honky tonk, country, and Western Swing tunes from Texas country legend Wayne “The Train” Hancock, pressed for our 25th anniversary.
For our 25th anniversary, we summoned 10 songs from the good Rev. Biram's God-fearing side of his psyche. Includes unreleased and pre-Bloodshot material.
Stay on the side of the righteous and the raucous with this Sunday-morning-hurts-after-Saturday-night collection.
Walks a line that touches on Lyle Lovett’s lyrical frankness, John Moreland’s punk cerebralism and Judee Sill’s mysticism and orchestral sensibility. Plus the literate and sonic audacity of an early Steve Earle---an outlaw unafraid to embrace harmony.
Let It Be Guitar! showcases fresh new arrangements of these familiar tunes, employing a wide variety of musical styles and guitar sounds, paying tribute to Paterson’s biggest influences including Les Paul, Chet Atkins, Jorgen Ingmann, James Burton, Buddy Emmons, Ernest Ranglin and many more.
Classic debut album on LP for the FIRST TIME. Highlights include drop-dead, now classic cool honky tonk gems like "Every Kinda Music But Country," "The Buck Starts Here," and the sing-a-long fave "She Took A Lot Of Pills (And Died)."
Ground Zero outlaw David Allan Coe’s “Monkey David Wine” gets a sinister gut bucket blues duet treatment. It lands about 11 feet away from Screamin’ Jay Hawkins on a ten foot chain. Pass the bottle, friends.
Side B is Gary Stewart’s “Single Again.” The cool-as-can-be song is a shaggy-haired, floppy-hatted prime taste of 70’s rebel country. Pass the weed, brother.
Human Question isn’t meant for the meek or casual listener. It will make you dance, mosh, sing along, and dig deep into your soul. Some people lament that rock-n-roll is dead. They just haven’t heard the Yawpers yet.
Cinematic and widescreen in its sonic scope and with a live band immediacy, Deserted is the Mekons at their finest. It's folk music by folks who are pissed and disillusioned, lost and longing to be found, but only on their terms.