This isn’t escapism; it’s an emotional survival guide; it's ten songs of reality checks, clever wordplay, and daring arrangements, the aural companion to that buddy who pulls up a bar stool next to yours to help soak away your sorrows.
When you boil it all down in a simmering cauldron: sludge metal, the raw sucker punch of punk rock, profound truths of sentimental acoustic blues and country, the cleansing powers of gospel hymns and ballads, and folk tales from the early 20th century.
It's the sound of rickety wooden porches on humid summer days, the grimy streets of New Orleans beyond the French Quarter-- a charmingly disarming amalgam of early 20th century jazz, Delta blues, American folksong, and Southern gospel.
Howl is soul music by children of the post-punk era. It’s the sound of a band that cut its teeth listening to Purple Rain and In On the Killtaker. The dark side of love and longing is explored by frontman JC Brooks’s starkly personal lyrics and the Uptown Sound’s willingness to bare all their influences and let the grooves fall where they may.
The muddy work boots, anarchic stage shows and fondness for committing musical “pure butchery” of the Wacos match up with the stylish craft and classicism of Paul Burch, a Nashville songwriting treasure.
Like the woman herself, Working Girl’s Guitar crackles with a loose, straightforward energy fit to be played everywhere from palaces to bars.
Full of soulful urgency and longing, conjuring the ghosts of mates-in-spiritual-arms from Dylan Thomas to Johnny Cash.
From dynamic atmospherics and psychedelic melancholy to pulsing T. Rex glam boogie and down and dirty southern ROCK, BBJ and host of guests deliver.
You can practically feel the heat from the stage, smell the smoke on your clothes, taste the beery taste of beer and let your ears bask in the un-tempered wall of sound on this raucous free-for-all