"‘Going to New Orleans’ is this song I learned street busking in New Orleans. The oldest version that I can find is that of Babe Stovall. Babe was a notorious street performer through the '60s and '70s. His original version was entitled ‘G’wine to New Orleans.'
Cinematic and widescreen in its sonic scope and with a live band immediacy, Deserted is the Mekons at their finest. It's folk music by folks who are pissed and disillusioned, lost and longing to be found, but only on their terms.
Youthful and defiant punk, rugged Red Dirt country, and vibrant Tejano. Emblematic rock ‘n’ roll with bold horns, violin, and a slather of twang reflecting where the band is from, where they’ve been and, eventually, where they’ll be headed.
14 tracks spanning Laura Jane Grace’s fractured relationship with her adopted hometown of Chicago, true friendship, complicated romance, and reconciling everything in the end, 'Bought to Rot' stands as the most musically diverse collection of songs Grace has written to date.
It's "off-the-beaten-path Americana." It's the simple meeting the complex, traditional meeting modern, stick-to-your-guns resoluteness meeting adaptation. Breaks new artistic ground but remains in character.
A collection of 10 cover songs from artists who have influenced WEW's 15-plus-year career. It’s punk rock without the breakneck tempos; it’s rock-and-roll without turning it up to 11.
The duality of big and broad vs. microscopic and narrow is ever-present, especially as the group explores untapped genres, dynamic and emotional touches, intersecting and introspective storylines, and remote edges of the galaxy.
This collaboration between Grammy-nominated singer-songwriter Robbie Fulks and rock-and-roll royalty Linda Gail Lewis, gleefully lives up to its title. Subversive as it is reverential.