A rough-and-ready seven-song chronicle of a band putting down their roots, but foreshadowing realized greatness. Even in this early stage of her career, Shook's signature brand of country music—wry and irreverent, high and lonesome—sent up the smoke signals for a much-needed alternative to the feigned-authenticity of middle-of-the-road "Americana" singer-songwriters.
The Converse Cowboys take on the Scottish pub rock classic earworm! Fiddles, trumpets, distorted guitar, gang vocals! It's a RIOT.
ROOKIE’s modern take on timeless American rock ‘n’ roll pulls from all corners of the sonic map; it’s familiar but fresh, lived-in but blown-out. It’s the ‘70s/’80s pop-rock sheen of recent tour-mates Cheap Trick; 3-minute precision songwriting of Big Star; loose Neil Young Americana; and the hazey, psych-flavored boogie of The Allman Brothers and Thin Lizzy.
On RESIST!, Chicago's original punk cowboys, The Waco Brothers, play protest songs about the folks getting shoved down, and songs about the system that’s doing the shoving. The band’s 25-year songbook remains alarmingly relevant. They can be political, they can be personal, and sometimes there is no difference. Their shout-along manifestos and strident tomfoolery make for a potent elixir in times when reason and humor are at odds.
Too Late to Pray: Defiant Chicago Roots is a redux of For A Life of Sin. It is a current magnifying-glass look at some—but not even close to all—of the artists and groups making unique and special music in the city’s roots scene. Some of the artists you may have heard of; some are woven so tightly into the fabric of the city, it’s hard to imagine a time without them; some we’ve claimed, whether they like it or not, as natives; some you might be hearing for the first time; and some you may never hear from again.
"This record is called 16. Though it's not a tribute to Street Legal, that Bob Dylan record is the source of the songs here. Back in the 1970s, 12-inch LPs were the common currency. Mostly "rock"—white guys with claims on Art & Meaning—but you could often follow the trails outward to country, gospel, R&B, and so on."
A career-spanning collection of the finest honky tonk, country, and Western Swing tunes from Texas country legend Wayne “The Train” Hancock, pressed for our 25th anniversary.
For our 25th anniversary, we summoned 10 songs from the good Rev. Biram's God-fearing side of his psyche. Includes unreleased and pre-Bloodshot material.
Stay on the side of the righteous and the raucous with this Sunday-morning-hurts-after-Saturday-night collection.
Walks a line that touches on Lyle Lovett’s lyrical frankness, John Moreland’s punk cerebralism and Judee Sill’s mysticism and orchestral sensibility. Plus the literate and sonic audacity of an early Steve Earle---an outlaw unafraid to embrace harmony.
Let It Be Guitar! showcases fresh new arrangements of these familiar tunes, employing a wide variety of musical styles and guitar sounds, paying tribute to Paterson’s biggest influences including Les Paul, Chet Atkins, Jorgen Ingmann, James Burton, Buddy Emmons, Ernest Ranglin and many more.