"I write for myself, but certainly have The Flat Five in mind too," says Chris. "I send them new songs and let them decide which ones they want to record.
The twelve songs that comprise End Time were recorded at Chicago's Uber Studios and offer a departure from Freakwater's traditionally minimalist approach to arrangement
Feels Like the Third Time was recorded with Brad Wood at the now infamous (and closed) Idful Studios.
The band’s first-ever collection of original Christmas songs and was produced, mixed and engineered by John Pedigo in the band’s home state of Texas.
For all those who have commitment issues or are new to the back catalog of our humble label, here's an intro course into the wonderful world of gypsy-punk pioneers Firewater.
For all those who have commitment issues or are new to the back catalog of our humble label, here's an intro course into the wonderful world of the Dirty Old One Man Band Scott H. Biram.
On this scorching, cinematic concept album ‘The Crossing’, Alejandro Escovedo tells the story of two young immigrants – Salvo from Italy, and Diego from Mexico – working in a Texas restaurant in pursuit of the American dream.
With their fifth album Good Morning, Magpie, Murder by Death continue the tradition of border expansion.
A story of revenge, betrayal and a long voyage hindered by interventions of the gods. The Bloomington, Indiana, quartet are emerging as true artists in the zero-boundary sense: cinematic storytellers whose albums come together in an essential whole, and players whose jaw-dropping performances on record make you yearn for the chance to experience their energy up close and in person.
Murder By Death's third album is comprised of 12 different stories, all about sin, redemption, and guilt. Murder By Death layer the vocal sounds of an old saloon with the h
"Who Will Survive and What Will Be Left of Them?" is the second full length album by Murder By Death. It is an album about the Devil wiping a small town off the map.
Murder By Death's debut album "Like the Exorcist, But More Breakdancing" is an eclectic album, ranging from beautiful and ambling string-laden compositions to aggresive, complicated and dark rock songs.
Kelly's voice is so versatile it can wrap itself around any song, in any style, be it torchy jazz, country weepers, soul-fueled bump and grinders or long-lost pop nuggets, and transform them into something all her own. Hell, just her compilation appearances could be their own "Best of..." collection. She's that good.