A triumphant Old West feel, something that puts you in mind of in the closing scene of an old John Wayne film — if, say, Guy Ritchie were directing it.— Americana Highways
If the Pogues were from Texas instead of Ireland, they might sound something like the Vandoliers.— Americana Highways
Josh Fleming and company have brilliantly combined punk, country, Tejano, and rockabilly influences to create a dynamic and modern cowpunk staple.— Noisey
A six-piece cowpunk band that took Fleming's punk and ska roots and dressed them up with acoustic guitar, brass, and fiddle for a jet-fueled take on the Texas two-step.— Rolling Stone Country
...as if Calexico and Dropkick Murphys got together for a fiesta.— Dallas Observer
Blends their Texan identities with Tejano, cowpunk, Americana and classic country sensibilities, creating what may be one of the most interestingly cohesive sounds in decades.— The Boot
The lyrical and instrumental foundations of Texas country greats delivered with an intensity usually reserved for punk rock bands like Rancid, Social Distortion...— Wide Open Country
With a boisterous mix of Telecasters, fiddles, horns, and banjos, the Vandoliers set late-night, honkytonk and bits of bluegrass against Joshua Fleming’s strained, punk rock croon.— No Depression
They’re genre-bending, Tex-Mex punk that sounds like someone dropped NOFX in the middle of Corpus-Christi.— No Depression
Vandoliers are the next wave of Texas music. The six-piece Dallas-Fort Worth group channels all that makes this vast state unique: tradition, modernity, audacity, grit, and—of course—size. Forever puts it all together for an enthralling ride down a fresh Lone Star highway.
Produced and recorded by Adam Hill (Low Cut Connie, The Bo-Keys, Deer Tick, Don Bryant, Zeshan B) at American Recording Studios in Memphis, TN, the band’s third album (and first with Bloodshot) Forever is a mix of youthful and defiant punk, rugged Red Dirt country, and vibrant Tejano. The full-length’s 10 songs blend emblematic rock ‘n’ roll with bold horns, violin, and a slather of twang reflecting where the band is from, where they’ve been and, eventually, where they’ll be headed. It’s regional and universal all the same.
“I wrote a series of songs about my life and gave it to the best musicians I know to flesh out,” says lead singer and guitarist Joshua Fleming. “I spent over a year writing by myself, with friends and mentors, and we spent just as long filling out arrangements and writing scores. We wrote horn and fiddle parts on a trio tour through the mountains of New Mexico, Wyoming and Montana.”
One of those mentors is fellow Dallas-Fort Worth musician Rhett Miller of Old 97’s. The influence and tutelage of Miller and his bandmates helped sharpen Vandoliers’ Texas-bred, roots-based punk rock.
“Before the band started diving into the new material, I sent Rhett a bunch of acoustic phone demos,” says Fleming. “Being the amazing person he is, he sent me back a 3,000-word email of advice that read like a master class in the art of songwriting. Beyond their influence musically, they’ve really taken us under their wing, letting us play shows with them and giving us all kinds of advice along the way.”
While tracking alongside the muddy path that country-punk bands like Old 97’s, Jason and the Scorchers, and the True Believers blazed in the ‘80s and ‘90s, Vandoliers define their own style; no one else is upending the genre quite like them. There are familiar ingredients—Fleming’s raspy vocals, rousing sing-along choruses, and an infectious energy (like on the rippin’ “Sixteen Years”)—that lay down the foundation on Forever. But it’s the ancillary instrumentation that separates them from others. When they seamlessly inject punk rock with ‘60 and ‘70s country grime (“Tumbleweed”), old-timey fiddlin’ (“Miles and Miles”), Tex-Mex horn and violin (“Fallen Again”), and heartfelt balladry (“Cigarettes in the Rain”), a rich new sound emerges. References to the Texas Tornados, Social Distortion, Deer Tick, and Calexico can be made, but none fully capture the soul of the self-proclaimed “Converse cowboys.”
For a band that spends more than half the year on the road, “forever” is their credo of hope and determination—“VFFV” (Vandoliers Forever, Forever Vandoliers) is tattooed on the six members’ arms as an emblem of their solidarity and commitment to the collective, through good times and, more significantly, the tough ones. The album’s lyrics center on themes of dedication (“Sixteen Years”), being known as middle finger-throwing rabble-rousers (“Troublemaker”), seizing adventure while traveling (“Nowhere Fast”), and addressing anxiety and depression (“Fallen Again”). When they return home from tour, broke and empty, they humbly look to their families for support (“Bottom Dollar Boy”) and unconditional love—despite their unconventional career paths—(“Tumbleweed”). Thus recharged, they can hit the road again, to spread the Vandoliers’ message with renewed fervor.
Formed in 2015, Vandoliers are Fleming, bassist Mark Moncrieff, drummer Guyton Sanders, fiddler Travis Curry, electric guitarist Dustin Fleming, and multi-instrumentalist Cory Graves. Their first two albums Ameri-Kinda (2016) and The Native (2017) were released on State Fair Records.
Vandoliers are the next wave of Texas music. The six-piece Dallas-Fort Worth group channels all that makes this vast state unique: tradition, modernity, audacity, grit, and—of course—size.
"When we received the invitation to perform at Bloodshot's annual SXSW party we were completely beside ourselves. Being from the same hometown as our heroes the Old 97’s, we've grown up fans of the label and have wanted to be a Bloodshot band since day one. I even sent a terrible demo submission when we were first getting started three years ago. I can’t put into words what it feels like to have the faith of the same institution that has put out so many of my favorite albums, but I am happy to call Bloodshot home and can’t wait to get to work on our next album."
Behind him, the band (bassist Mark Moncrieff, drummer Guyton Sanders, fiddler Travis Curry, electric guitarist Dustin Fleming (no relation), and multi-instrumentalist Cory Graves) kick up plenty of fast-moving dust, filling the songs with train beats, gang vocals, blasts of brass, and bursts of guitar. Vandoliers' sound is truly a tour of the many subgenres that originated in the Lone Star State, from outlaw country to Texas swing, electric blues, and even Tejano. At the same time, it’s a twist on those familiar sounds, delivered with a wink of the eye and a bang of the head. (As the Dallas Observer amusingly asserted, it's "as if Calexico and Dropkick Murphys got together for a fiesta.") It's twang and tattoos, grit and guitars, honky-tonk and horns, Tejano and Telecasters. It's Vandoliers.
Vandoliers' first two albums Ameri-Kinda (2016) and The Native (2017) were released on State Fair Records. The band has toured with such country and rock-n-roll stalwarts as Marty Stuart, Lee Ann Womack, Old 97's, and Reverend Horton Heat.
And no, we don't know where Joshua's "terrible demo" is.
Official Website: Vandoliers Online