Check out THIS long form interview in Guitar World Magazine with our own Maggie Bjorklund. She talks at length about her gear, her songwriting process, how and why a DANISH person came to play the AMERICAN pedal steel, and her recent stint with Jack White.
There's also an embedded video of a song from her release Coming Home.
Flea Market Funk has just pulled a killer interview from 2006 with Andre Williams out of their archives.
Andre waxes about Stevie Wonder in the studio, getting fired by Barry Gordy. 5 times. They were the Billy Martin and George Steinbrenner of the R&B world.
It's a great read and a fine kick off to the Andre release week of his new album.
Read it HERE
Andre Williams is opening for Justin Townes Earle on Memorial at Chicago's Millennium Park.
We look forward to Mr Rhythm singing "Jailbait" and who knows what else in front of thousands of possibly unsuspecting Chicagoans. The potential for weirdness is quite high.
Enjoy THIS interview with the Man himself, which includes several videos, the Blues Brothers, Lawrence Fishburne as Ike Turner, and quotations such as this, when asked about his inspiration for writing "Shake a Tail Feather": "OK, since you asked that question, I knew there had to be a way to say, "Come on, and shake your ass."
Videos! Interviews! Rather than post separately, here are the nifty bits 'o' media oddness that crossed our virtual desks today (well, maybe not TODAY, but I'm finally getting around to them.)
--HA HA TONKA: Most people assume that life on the road is one of glamour and comfort. Well, HHT shows just how TRUE THIS IS with THIS hilarious (yet sadly accurate) little video on Digital Tour Bus about their trusty (well, not so trusty, but that's another story) van. SWOON ALERT: Luke Long is shirtless throughout the video. See how REAL musicians travel...
--JON LANGFORD: While Jon girds himself of his upcoming EAST COAST tour, we thought we'd wet your musical whistle with THIS video posted on Time Out Chicago of him and band performing acoustic "Getting Used To Uselessness" from his latest fab slab Old Devils
--SCOTT H BIRAM: Someone thought it would be smart to put SHB on TV in Austin. Check THIS out, man. Scott's covering Don Walser, yodels his ass off in a Black Flag T and camo trucker cap after being intro'd by the squeaky clean super square TV host.
--BEN WEAVER: A fantastic feature on Aquarium Drunkard. It's called Diversions and covers artists waxing about subjects other than performing. Ben talks about meeting the great southern author Larry Brown
WHEW! That oughtta keep you all occupied for AT LEAST an hour at "work"
In the current Time Out Chicago, Jon Langford discusses his new album Old Devils, actual old devils like Kingsley Amis and Andre Williams and why his bass player is allowed to ride mechanical bulls in bars, but not his guitar player.
Read it HERE
Jon and some of the Skull Orchard performed "1234 Ever" in the Time Out Offices. Watch it HERE
Enjoy, and we hope we see you at The Ball!
Usually, when we get bits and pieces of news or interesting tidbits, we try and weave them together and present them to you as a thematic whole. After much mulling, we could find no way to do that, so we thought the very LACK of a theme would be the theme. Thus, three totally unrelated bits of news for your time-wasting pleasure as we slink towards the three day weekend:
--ASCAP posted a great little "Audio Portrait" of Graham Parker. He talks about the songwriting process, what he looks for in a perfect pop song, how he balances the dark with the cheery, PLUS you get to hear segments of several of his new songs from his lastest album Imaginary Television. Have a listen HERE
--When Devil in a Woodpile broke up, we were (and remain) very sad. However, washboardist/harpist Rick Sherry's new band Sanctified Grumblers have picked up the slack some. In addition to reviving the Tuesday night gigs at the Hideout, HERE's a video of their song "Stump Grinder"---it'll put some lead in your pencil. We'll see you Tuesdays...
--Finally, we've been running this madhouse known as Bloodshot for 15 years now, working longs hours for low pay faced with the constant vicissitudes that beset small independents like us. So, you'll have to excuse us if we get a little miffed when interlopers and dilettantes muscle in on our territory. When we got the news that ELLEN FRICKING DEGENERES has started her own label, well, part of us wanted to rail against the heavens at all the easy publicity she's getting and part of us wanted to go all Virginia Woolfe and put rocks in our pockets and wade into Lake Michigan. Maybe then we could get the wider world to pay attention.
Enjoy your long weekend and remember: only YOU can prevent such madness...
Here's a grand interview with Exene Cervenka from the The Sunbreak in Seattle. She talks about working with Ray Manzarek of the Doors, how X would jam to Carl Perkins tunes early on, why record stores are important, what her favorite albums are and so much more. It's a great, informative read and, as we keep mentioning, that's getting rarer and rarer in the blogosphere. There's even this little snippet that made us blush (for the record, we did NOT pay her to say this, or threaten her in any way.)
"Tell me a little about your relationship with Bloodshot Records. They're very akin spiritually to the vibe you've always been on."
Exene: "That's the first time I've ever heard of a record label being accused of spirituality--they're usually considered heartless bastards that everyone hates [laughs]. But not in the case of Bloodshot. Spirituality, indeed. They asked me to do a record, and I was thrilled to death, because I love Bloodshot Records, and they've been nothing but good to me. They really have worked hard. Everyone who works there is smart, intuitive, caring. I've done a couple of South-by-Southwests since I've been on Bloodshot. They just work their asses off to get this music out. They really believe in what they're doing, and they're awesome. Best label I've ever been on."
In anticipation of Exene's West Coast Free In Store Tour, Orange Coast Magazine published THIS extensive profile and interview. Exene talks about her move back to SoCal, the punk days and her creative process.
We like nice in depth stuff like this...