• Summarizing Jon Langford’s contributions to punk rock and all of its permutations, as well as his career-long obsession with American roots music, is liable to overwhelm anyone.

    — LA Times
  • Jon Langford boasts a unique creative energy, unless you can name another individual who helped pioneer cowpunk (The Mekons' Fear And Whiskey) while contributing artwork to craft breweries (Dogfish Head).

    — SPIN
  • Jon Langford has established a lofty standard of brawny melodicism and personally and politically charged songcraft, building a formidable songbook on a foundation of stubborn humanism and a finely honed sense of the absurd.

    — Austin Chronicle
  • Americana has not lost its grip on Langford, nor vice versa.

    — Pitchfork
  • Let’s skip the history and instead focus on the primary constant – Langford’s barkeep approachability and an affable approach to political frustration and career disillusionment.

    — LA Times
  • The great rock and roll bridge between punk's back alleys and country music's windswept plains.

    — Portland Mercury
  • Jon Langford has grit in his voice and melody in his soul. A punk-rock pioneer, a leading light of alt-country, a troubadour for our times, a musicians' mentor, a visual artist of uncommon skill, a singer-songwriter who writes with the authority of having lived a life rather just having imagined it, how do you peg Langford? Is he folk, rock, country, punk, what? Yes, he's all that. Langford is Langford, a transplanted Welshman who's been in Chicago long enough for us to claim him, and in doing so, stake a claim to a treasure.

    — New City Chicago
Newport, Wales / Chicago, IL

The L'homme de Renaissance of indie rock. The prolific Welshman-cum-Chicagoan has done it all in his time. 

Founded the Ground Zero UK art/punk collective The Mekons (who, many suggest, went on to inadvertently turn a bunch of punk rock snots like Bloodshot Rob into country fans with their seminal albums Fear and Whiskey and Honky Tonkin') , noise rock progenitors The Three Johns and countless collaborations with greats, near-greats and unheard of cult figures.

For Bloodshot, he's been an indefatigueable presence in our shoddy offices since day one. In addition to all his musical contributions as a solo artist, he's created lots of cover art, produced lots of records, lent his ham-fisted guitar stylings to recordings by the Old 97's, Roger Knox, Rosie Flores, Kelly Hogan, Andre Williams, Sadies, Sally Timms, Danbert Nobacon, Alejandro Escovedo, among others, draws a comic strip, writes books, appeared as the backing band on This American Life and acts as a reeling papa bear figure to many of Chicago's musicians looking for direction and reassurance in this vicious racket we call the music industry.

Since the man creates more music than any one band could possibly hold, he's also the guiding force in the Waco Brothers, the rarely convened collective of the Pine Valley Cosmonauts, the Skull Orchard and Wee Hairy Beasties. At any given time, he might have a few other irons in the fire, or plates in the air, or pies in the oven, or cubes in the tray. It tires us just trying to keep up.

For a gander of Jon's Art, peruse Yard Dog in Austin, TX; home of the annual Bloodshot SXSW shindig.

Compilation Tracks: 
Recommended if You Like: 
Billy Bragg
Steve Earle
The Pogues
Old 97's

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