Drinker's Peace/One Bed, Two Girls, Three Bottles of Wine (7" Single)

The duality of big and broad vs. microscopic and narrow is ever-present, especially as the group explores untapped genres, dynamic and emotional touches, intersecting and introspective storylines, and remote edges of the galaxy.

Boy in a Well is complex; it’s a manically conceived, historically situated, emotionally underscored, plot-driven fictive universe. It’s demented, unpredictable, taboo, ambitious, and yet distinctively cohesive.

Imagine the Dead Kennedys three decades on. Fiery cosmic psychobilly and retro R&B/garage tones. Sacrebleu!

Never a genre loyalist, 'ADIOS' finds Branan (much like his musically restless heroes Elvis Costello and Tom Waits) coloring outside the lines in sometimes jarring shades of fuzz and twang. You can trust Branan to take you somewhere unexpected.

At its core, Heart-Shaped Mountain is an album about love and growth. At a time when divisiveness fills the headlines, Ha Ha Tonka is fighting the good fight and building narrative tributes to friends and loved ones, memories past, and prospects of the future.

'American Man' taps into the disparate, murky pools of the American musical lexicon; dark country to kinetic punk, acid blues to flared jeans boogie, low-brow backdrops pitted against high-minded literary references. It’s an edgy, engrossing trip.

MBD's most dynamic release to date. Sonically here, their signature sound – rootsy indie rock, cinematic gothic ballads, and rousing pub rock shout-alongs – mixes with enlivening new stylistic elements.

The No-Hit Wonder is both a celebratory anthem of the world-weary, undefeated underdogs of the world, and a coming to terms with the cards life has dealt you.