Because It Feel Good

Psychedelic desert pop music. Straddles delirium and ecstasy, when the vultures circling overhead look like doves. It's the sound of a bead of condensation rolling down a beer glass at a grimy cantina.

Jane's is a voice that captures the timeless ache that seeps up through the dirt and hills of her native Kentucky and evokes the spook and hope and wonder and joy of the forests and the moon.

These songs have thrived in the folk traditions of America for a reason. They are tough and long lasting but malleable enough to be adapted and re-invented easily.

Recreates those magical Saturday nights in the Old Hayloft when Chicago, not Nashville, was the capital of Hillbilly Music. A record as warm and crackly as that old tube radio in the attic.

For years around Chicago, Nora has been an in-demand hired assassin of singing to the hit-making hoi polloi, but here she scootches over just a little bit to center stage where she belongs.

A sexy, smoky apocalyptic masterpiece. This one will boil your blood, raise the hairs on your arms, and tickle your monkey nerve.

Taken as a whole, it is a dark and meditative album which also perfectly echoes a stark and melancholic setting.

26 tracks intended for the amusement of children and arrested adolescents everywhere.
Enjoy these songs full of cowbells, wolf calls, banjos, bongos, hiccups and rubber duckies.

The All-star cast consign songs of murder, mob law, and cruel, cruel punishment to the realm of myth, memory and history. Eighteen songs that are as old as the hills (though some were written last week) about America’s grim fascination with the savage cycle of crime and vengeance.

Her languid, dreamy, smooth-as-honeyed whiskey voice will take you on a pleasing journey through the un-make believe lands of sorrow, betrayal, and emotional devastation.