 | "The Dex Romweber duo specializes in music plucked with the soul and faith of a Sunday morning revival, a fluid mix of blues, surf-rock, rockabilly, proto-rock & roll and garage." - Riverfront Times |
 | "I have a feeling that in a few years we'll need backstage passes at the Ryman auditorium to get anywhere near him. He's just THAT good." —Chattanooga Free Press |
 | "A precocious, stammering rock record that bridges sweet-water gospel folk with sweltering Southern rock." —CMJ Essentials |
 | "Weaver remains a riveting lyricist and A-level student of the Tom Waits School of Gutter Bum Poetry." —Twin Cities Metromix |
 | " ... more explicitly draws upon both the sounds and the moods of Latin American music, embracing the palpable joy and sorrow of the melodies as well as the sensuous grooves of the rhythms [and] demonstrates just how strong and intuitive a band Cordero have become." —All Music Guide |
 | "Comes close to being essential listening. In which a Nick Cave/Tom Waits acolyte travels to Pakistan, hangs out with the locals, and makes Sufi cabaret punk rock music ...A superb, disturbing slab of desperation and creativity." —Paste |
 | "An album of almost unprecedented punk-soul blues. Thick, humid, sweaty and sleazy…even the freaking high-hats have a bass tone to them on this album." —Nine Bullets |
 | "Situating themselves at the crossroads where Johnny Thunders and Son House intersect, Charlie whipped up a bad voodoo vibe of heroin rock and midnight blues. These guys were one of the undiscovered giants of the late eighties." —Pete Buck, REM |
 | "[Some] songs have a gleaming hard edge ... and elsewhere they've created crisp little pop tunes with choruses that sound like forgotten hits from decades old rock radio stations." —NPR's Fresh Air |
